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07.11.2026

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New releases3

Charlotte de Witte feat. NAVA – Azadi (EP) [KNTXT]

Charlotte de Witte has released the three-track EP ‘Azadi’ featuring the AI-generated singer NAVA.

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The three tracks combine techno with Farsi vocals and themes of resistance, hope and freedom. The title track ‘Azadi’ pairs driving percussion and acid textures with NAVA’s melodic vocal passages, while ‘Omid’, meaning hope, brings restless basslines, electronic stabs and layered spoken Farsi vocals. The closing track ‘Tales of the Desert’ is more spacious, with melodic synthesizers, sustained chords and intermittent acid elements. All proceeds will go to Femena, an organisation supporting women human rights defenders and feminist movements across the Middle East, North Africa and Asia. NAVA was created by London-based artist Farbod Mehr, and her visual identity draws on classical Iranian art.

Read at the source: Electronic Groove →

Electronic Groove · techno

Various Artists – 30 Years of Drumcode (album)

Drumcode, founded by Adam Beyer, celebrates its 30th anniversary this year.

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The first part contains 14 reworks, with Amelie Lens reinterpreting ‘In Silence’ from 2017 and Alan Fitzpatrick revisiting his classic ‘Skeksis’. Особое значение has the new version of ‘Traction (The Way We Used To Do It)’ by Charles D and Cevin Fisher, who died last month. The second part features six remixes, including Jesper Dahlbäck reworking ‘DC01 Pt. 1’ and HNTR and KASIA taking on ‘Space Date’. Drumcode began in the mid-1990s as a DIY label in the Swedish techno scene and now runs a weekly radio show and hosts events across Europe and North and South America.

Read at the source: Fazemag (in German) →

Fazemag · hypnotic

Interviews1

Jeff Mills on updating his Metropolis soundtrack for the AI age

Jeff Mills talks about updating his Metropolis soundtrack and says fear of being replaced by machines has always been part of everyday life in Detroit. His tenth live soundtrack will be performed in Potsdam on 8 November 2026.

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Mills explains that the first version from 2000, made for Tresor, was recorded almost in real time without any later processing, so the finished tracks were essentially first mixing attempts. The 2023 version is far more complex, with layered symphonic sounds and effects, and its synthesizers float in loose, overlapping rhythms. It was made under the impact of the pandemic, which gives it a stronger sense of uncertainty. In live performance, each section of the film has its own tracks, which Mills can alter at any moment in tempo, pitch and transitions, and he adds extra tracks spontaneously, so no Cinemix is the same.

Read at the source: Groove (in German) →

Groove · detroit techno